Sagaa TamilRockers Movie Review
Sagaa film overview: Two children, one to take revenge, one to take revenge, another to escape from prison for a romance. Are the guards responsible for arresting them?
Sagaa TamilRockers Movie Review : Sagaa is a bad example of classical writing that will spoil a promising starting point. Murugesh has wires for tension films on the side of the chair, but there is no logic in scenarios where the characters are not logical. The less romantic words about two romantic songs, the better. In the end, the director put a lot of effort into creating a similar intensity for slow and soft recordings, but these were exaggerated. Young players do everything, but that is never enough. The classic paintings of cameraman Niran Chander (the color choices are the best) and Shabir's musical director, Sagaa, sing some humble songs with an annoying watch.
There are children who fight with each other, singles, they say, there are children who fight in a prison club to distinguish themselves from others. They have a well-oiled gang, a gang leader and a means of transport between the best dogs and the prison officers.
And for Vada Chennai, it has been shown that children in Sagaa's youth prisons improve their lives through carpentry, auto mechanics, cooking, reading in a library, and so on. They were released once. However, due to a twist in the story, a prison sentence is necessary and, unfortunately, when the film focuses on events other than those of the prison, Sagaa becomes an inconsistent disaster.
In addition to Saran (Sathya), the main character is Pasanga (Sree Ram, Kishore, Pandi) and the gang of Prithvi Pandiarajan who play a negative role. Sagaa is essentially a cat and mouse game that plays a very cautious role among escaped prisoners and prisons (Sai Dheena).
The violence in captivity is always worrying and the threatening attitude of Sai Dheena makes it even worse. Of these there is a human trafficking section in Sagaa. Although confusing, this leads to one of the best scenes in which film and women's safety are discussed.
Murugesh tells the story of the friendship, the betrayal, the revenge and the love for the eyes of these children. The exchange of dialogue about friendships and loyalty has warmed the heart and the performance of the players was very effective. He even managed to smile once or twice.
The greatest destruction of Sagaa, however, is the romantic part; it means that the film cannot come back because of the lack of essentially strong female characters. Aayira and Neeraja are interested in the love of cinema and although the film plays a better role on paper, none has a real character.
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